Imaginable Worlds: Art, Crisis, and Global Futures

A collection of essays offering a creative look at crises past, present, future, and speculative.

Edited by Orianna Cacchione, Nandita Jaishankar, and Arushi Vats

Contributions by Trina Nileena Banerjee, Leticia Bernaus, Ho Tzu Nyen, Uzodinma Iweala, Patrick Jagoda, Meena KandasamyMohutsiwa SiyandaAshlyn SparrowJeet Thayil, and Suraj Yengde

Published by Smart Museum of Art, The University of Chicago + Serendipity Arts Foundation, New Delhi

210 pages | 30 color plates | 8 1/4 x 5 3/4 | © 2022

Starting with the shared experience of crisis brought about by the COVID-19 pandemic and a planet sieged by disaster, Imaginable Worlds transforms tragedy into a framework for research and art, imagining a shared world beyond a global experience of emergency. Produced by the Smart Museum of Art and the Projects/Processes essay collection series, an initiative launched by the Serendipity Arts Foundation in New Delhi, this volume brings together the voices of artists, authors, and public intellectuals from a range of fields and locations.

Suraj Yengde, named one of the "25 Most Influential Young Indians" by GQ Magazine; Siyanda Mohutsiwa, the brain behind the viral hashtag #IfAfricaWasABar; and Ho Tzu Nyen, the acclaimed artist behind the ongoing Critical Dictionary of Southeast Asia project, are among the diverse contributors who have come together to critically engage with ideas and practices that engage with a partially known or unknown world.

Inviting fresh creative looks at crises past, imminent, immediate, and speculative, Imaginable Worlds considers questions of survival and invites us to imagine new modes of sensing, knowing, and dwelling.

 

we are safe here

Handmade hardcover book, full color photos, limited edition 15x21cm / 6 x 8.25”, 64 pages 

 

This publication gives physical form to a process of self-examination and material research that strives to embody the physical and spiritual aspects of our existence. A fragmented bilingual poem combined with appropriated words from Lucretius, Rosi Braidotti, Marcel Proust, Ali Smith, Clarissa Pinkola Estés, and Clarice Lispector; photographs capturing traces of a 16 mm and video installation; performing hands as a symbol of the self, of the need to inhabit our own skin, to recognise each one of us are body and spirit, language and memory, matter surrounded by matter, an archive of transformations and relations. 

becoming - Feral

A curated collection of a variety of art manifestations investigating the relationships between human/other animals and the shifting categories of wild/feral/domestic.

Dimensions: 210mm (w) x 148mm (h) landscape / Pages: xxiv, 231 pages /Artwork: 72 illustration/photographs, 2 figures / ISBN: 978-1-9161283-1-6 / Published: 10 November 2021 / Publisher: Objet-a Creative Studio /Designer: Objet-a Creative Studio

becoming—Feral curates a prismatic and multifaceted perspective on our understandings of other-animals and their ‘wildness’ through the re-imagined form of a bestiarum vocabulum (book of beasts). In this curated and edited collection poems, scholarly prose, musical composition, ecological research, lyric essays, performance documentation, and visual art sit alongside each other as we propose ferality in four approaches: Feral Relations, Feral Acts, Feral Collectives, and Feral Futures. 

becoming—Feral is a creative research publication which aims to investigate the complex relationships between human/other-animals and the shifting categories of wild/feral/domestic, set within landscapes constantly being altered by global transformations of climate and capitalism. We are interested in exploring reciprocal and responsive multispecies reactions to the act of becoming-Feral.

NOTCH MAGAZINE

ISSUE #2: GRAVITY

Gravity is the language of the relational: any two beings in the universe are connected through the fabric of spacetime. Its abstract power looms large. Life holds experiences that feel denser than others; moments whose weight eclipses their duration on a clock or calendar. In some cases, we find ourselves orbiting a shard of the past, our lives resisting the inevitable march from past to future as life’s timeline arches into a parabola.

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Letter from the Editors, Angela Black and Sasha Landauer / Untitled, Brice Afonso / All [self-vanishing] farewells are sudden, Phi Phi An / The Crosswalk in the Middle of REM, Samantha Backlund-Clapp / In Carnations, Misha Todirascu and Ben Barbetta Thompson / Agnosis, Leticia Bernaus / Rarefraction & Covalence, Alexander Bondoc / Treaserasure 67 (The Old Passage Rearranged) , Evan H. Brisson / Michelstaedter, Andrea Capra / O, Kai Carlson-Wee / Space Travel, Gospel Chinedu / Initiales, Pauline-Rose Dumas / Paintings, Brenda Erdei / Ground, Lukas Felzmann / Euridce in the Grand Central Oyster Bar, E.F. Flynn / Wristwatch & Angel Trap, Miller Ganovsky / How many birds would it take to carry my shadow?, Magda Gourinchas / Medea Cleans the Blade, Gillian Goodman / Over The Edge and An Equation LIke a Dream, Shalma Wegsman Gueron / Photographs, Troels Steenholdt Heiredal / A Grocery List for You, Katherine Humes / Sculptures, Martin Kähler / Satellite Photos, Ryder Kimball & Planet Labs PBC / Paintings, Augusta Lardy Micheli / Objectum, Lillian Mottern / Secrets of the Puckered Jug: Velázquez and Teaching, Alexander Nemerov / Tennis Lessons, Miles Parnegg / A Grotto Opens, Charles Rice-Davis and François Thiéry-Mourelet / Drawings & Paintings, Axelle Roth le Gentil / A Break from Being Haunted, Purbasha Roy / The Mystic, Sam Schieren / Into the Unconscious, Thom Schramm / Dead Dove : Do not Open, Beatriz Seelander / Mountain of Faith, Hannah Stoll / Interview with Aliaksandra Tucha, Carlos Valladares / Au milieu de la brume, ici et maintenant, Bastien Torterüe de Sazilly / On Girlhood, Joanna Yamakami / Observations on gravity, Marianna Xenophontos / Calibration & INHERITANCE: FATHER TURNS 60, Xiadi Zhai / Collection, Alexandra Zhukova

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